Thứ Tư, 11 tháng 11, 2009

Scholarships for Students from Muslim Country

Davis Scholarships – Graduate Institute of International and Development Studies

4 four-year Ph.D. full scholarships available in the fall of 2010.

Mrs. Kathryn Davis, an HEI alumna who obtained her PhD in 1934, is founding four Ph.D. full scholarships for a four-year period.

Two of these grants (Kathryn Davis Grant and Shelby Cullom Davis Grant) are intended for students of any nationality

  • having completed a degree programme in an American university.

Two other grants (Davis Grants) are intended for

  • two students coming from a Muslim country .

These grants will be attributed in the Spring of 2010 to students starting their PhD programme in September 2010 at the Institute exclusively. They will exempt them from tuition fees and provide a living allowance of 15000 CHF per year. They will last for a period of four years and will be renewed each year depending on the thesis progress.

Chủ Nhật, 8 tháng 11, 2009

What Tone Should I Set In Our Grant Proposal?

There are finer aspects to writing a grant proposal that are often not so easy to teach, and not even so easy to ask about or find out how to do. There are technical aspects to writing a grant proposal such as being sure to include the usual sections (e.g. introduction, organization description, project description, beneficiary population description, etc.); but the finer question, once a grant writer gets writing a proposal, can become 'what tone should I set in the grant proposal's contents?'

The answer, as is often the case in grant writing, is 'it depends'. So, I'm going to walk you through what I can, in a blog post.

When a nonprofit's grant writer sits down to begin writing the proposal they are, undoubtedly, focused on how they can win the grant. There is sometimes an inclination, then, to make their organization sound, in the proposal, like one of many, let's say... grant-seeking-archetypes:

__ Needy and Deserving, Or Just Because We Are A Nonprofit
__ Admirable Bleeding Hearts
__ The Only Organization To Choose, Or Arrogant
__ The Next Organization In Line, Or Winner by Default
__ Politically the Best Choice
__ The Victim
__ Deserving by Proximity (e.g. having a 'big name' personality or historic figure who founded or works for the nonprofit)
__ The Reputable, Well Run, Possessing A Demonstrable Track Record of Success, A Talented/Experienced Team, Successful Results, Practitioners Of the Latest Professional Best Practices, Inclusive, Transparent, Etc. Organization

Guess which one is probably the better tone to set in a grant proposal? You've got to walk the talk that you assert about your nonprofit, in your grant proposal. Remember, only reflect, in the tone of the grant proposal content, the character of your organization that you could back up with documents and recent accomplishments: that you could prove. If you can truly reflect in its track record, financials, operational history, etc. what you have said about the organization, in the grant proposal - then you're stetting the correct tone.

The tone a grant writer selects to use in a grant proposal should also be: positive, honest, thorough, complete, hopeful, but also demonstrate how the organization operates through the facts it asserts about the organization, its history, its recent accomplishments, and its goals, and proposed project. The tone one sets in a grant proposal is an opportunity to convey to the reader (who works at the organization considering giving your agency a grant) its best foot forward and in the best light (in honesty) that is possible. It can challenge an organization to do this. For instance, some believe (wrongly) that if the truth about an organization seems contrary to its ability to raise a grant - then the organization should either not answer the challenging grant application question or it should lie in its response. Neither are correct. The better way to address a tough question is to 1) answer it and respond (never ignore or skip a grant application question or request for information); and 2) to tell the honest truth. Remember, you can always call a potential grant donor that your organization is applying to (if they allow phone calls) and explain the quandary and ask what they advise. Honestly, some of the best possible answers to a given grant proposal question can be recommended (and, in effect, given) by the grant donor agency's program manager, them self. For instance, if a grant proposal is being filled out and a question comes up like, 'have you conducted this proposed project before?' and the answer is 'yes' for our nonprofit, but it went horribly wrong and we wish to conduct the project, again, having made corrections to errors made that first time - and we're applying for the grant for this second go - it may seem that the better answer is to avoid answering the question, or to lie; it's the wrong way to go. In fact, a donor (such as a grant donor) who is given the truth and also informed about what lessons the agency learned, that the input for improvement came from the project's attendees (or beneficiaries, themselves), and that all necessary changes (or improvements) have been implemented (and that the attendees will be asked for input after the second run of this project (also called "evaluations")) - the donor is more likely to give. The donor, in the instance of truth, is being given the agency's experience, but the applicant nonprofit is also demonstrating that it values honesty (and reporting the truth to potential stakeholders such as donors), and anything that gives a potential donor confidence (such as the truth does) is some of the most powerful fundraising methodology that exists. If a potential donor discovers your agency's lie in a grant proposal they not only will not give your nonprofit a grant, today. You're risking them 'black listing' your nonprofit within their own organization for future reference ('do not give to this nonprofit as they lied in a grant application submitted to us in December 2009'); they are colleagues of others who work for other grant donors and these professionals do network and talk with one another. If word gets out in the grant donor community that your nonprofit lies in its proposals for funding - the damage to the agency could be catastrophic.

It may seem dangerous or contrary to instinct to tell the truth about your nonprofit's growing pains or lessons learned but there is not a single nonprofit that operates that has not learned through experience. There is no shame in this as long as the organization takes the lesson as an opportunity to grow the agency and improve its operations and goal setting. Sharing with potential stakeholders in your nonprofit, such as donors (e.g. grant donors, in this case), is really providing the grant donor with your agency's values (truth), professionalism (we aren't going to lie to stakeholders or potential stakeholders), and sense of self (we are not afraid to listen to our constituents, learn from our mistakes, and better ourselves by listening and implementing improvements). This is actually the more powerful way to manage and operate a nonprofit. What donor (or 'investor') wouldn't feel confident supporting an organization that admits its foibles, is aware of their likelihood, listens to benefit the population it is set up to serve, and makes appropriate improvements?

Grants for Western Hemisphere Native or Hawaiian Native Artists

From The Foundation Center...

Deadline: January 15, 2010

National Museum of the American Indian Invites Applications for Indigenous Contemporary Arts Program

The National Museum of the American Indian's Indigenous Contemporary Arts Program offers support to a wide range of arts activities with the goal of increasing the knowledge, understanding, and appreciation of contemporary Native American arts. The NMAI considers the recognition of living artists of the Western Hemisphere and Hawaii to be of primary importance and will give awards to projects that strengthen the scholarship in this under served field and create opportunities for new and innovative work.

NMAI's Exhibitions and Publications program awards grants of $7,500 to $15,000 to support exhibitions, installations, publications, and critical writing that interpret and present the work of contemporary Native visual artists to the public and encourage dialogue and critical commentary. At least one-half of the proposed project team (artists, authors, curators, etc.) must be Native American or Native Hawaiian. Awards are given to nonprofit or education-based organizations. Project budgets must show a minimum 50 percent match by the applicant organization or other anticipated sources.

NMAI's Expressive Arts program awards grants of up to $10,000 to support the creation and presentation of new works through the collaboration of two or more Native artists. Awards will specifically support the creation of new works for public performance that may include, but is not limited to, music, dance, spoken word, electronic media, costume design, mask making, set design, performance art, photography, painting, and other forms of expressive culture. The award is open to all indigenous peoples who hold citizenship in the Americas.

Complete program information is available at the National Museum of the American Indian Web site.

Contact:
Link to Complete RFP

Chủ Nhật, 1 tháng 11, 2009

That Physical Address Location Question On Most Grant Proposal Applications... What Gives? Read More...

Which comes first? Is it the chicken or the egg?

I received a question on Seeking Grant Money Today, this week, that I thought I'd write about because I've heard it asked, before.

A reader of this blog posted a question asking how their brand new nonprofit can apply for grants when so many grant application forms require the physical address of the location where the nonprofit will provide the program or service that it is requesting funding for. It would seem, for any nonprofit that does not yet have a physical location (building, classroom, conference room, etc.) to conduct its organization's work that this is a barrier. The question can often become, 'well...we just started up...we can't afford a building, yet,'. That's actually, not the point, but the misunderstanding is not uncommon.

This question is a perfect example of a situation that warrants a nonprofit calling the potential grant donor that they are applying to (whose grant application apparently stumped them) and ask to speak to a program manager at the foundation. Ask them, given your organization's specific situation, what they prefer a nonprofit answers for that question. Explain your nonprofit's situation (for example, perhaps yours' is not a brand new nonprofit but has, in fact, existed for fifty years - but is only now providing services or assistance to the public and, let's say, has no gymnasium to provide after school camp for youth in, yet). You will receive the answer from that specific potential grant donor and you'll know how to answer their grant application; but please do not assume that all of the other organizations that you're sending applications to will want the same. Again, phone each (as long as they accept unsolicited phone calls - some prefer not to hear from applicant organizations. In this case, make your best guess as to what they wish to know and provide the appropriate answer). This inquiry also establishes the beginning of a relationship and relationships are how donations are raised (larger donations, anyway).

When a donor asks for a physical location on a grant application, they are considering the program or project that your nonprofit is requesting funding for. They, in fact, do not EXPECT any nonprofit to own a building, and usually aren't surprised at all when a start up nonprofit is using the facilities of another nonprofit's or other organization's. No grant donor, very often, expects anything of any nonprofit and in fact, that is the point of asking questions in the grant application. They simply ask questions, in the grant application, to get the honest answers from the applicant nonprofit. They probably aren't so interested in the square footage or how many public facilities there are on the premises (although they may be), but rather they are more likely gauging other considerations such as:

__ is this building's location easily accessed by the target beneficiary population the program is supposed to serve (e.g. are bus lines running nearby during program hours, is there free parking nearby, is it well lit and safe at night, etc.);

__ is the building easily accessible for the disabled;

__ is the building a modern, safe, well maintained facility, or is this a notoriously 'red - flagged' potential death trap repeatedly dinged by the city or county to require safety upgrades, etc.;

__ are there enough classrooms or is there enough space in the rooms planned to be used for the anticipated number of participants or attendees;

__ etc.

As I've always written, here, it is never wise to lie in any grant application about anything. If your nonprofit is applying for grants to, let's say, provide an after school camp for youth - but your board has not come to a formal agreement with the property owners of a proper facility, but you all are pretty sure that it's a done deal: then tell the potential grant donor this. Do not claim, if it is not the case, that a location will be used for certain. If, though, a location has been arranged for and is formally your organization's for this program/project at a certain date and time - then state this in the grant proposal.

Some potential grant donors may wish to know the physical address of the proposed program or project (proposed in the grant proposal) because of other reasons. How can you know? It's best, for each potential grant donor that your organization is apply to for a grant, to know their reasoning behind asking the question (and remember, all grant donors are separate, different, individual entities - one's thinking or reasoning is different from another sometimes and its always best to tailor each grant proposal per the recipient grant donor's interests, demonstrated track record, recent actions, etc. to increase the chances in receiving a grant from them). If you area allowed to phone them, have the executive director or a board member (someone who is 'peer to peer' on the same level as the leaders of the potential donor's) phone them. If you can't phone the organization, read over their giving guidelines, other literature, their website, or research recent past grant recipients' programs/project's physical addresses (for programs or projects that they funded that are similar to the one that your agency is proposing).

This question also demonstrates a common misconception on the part of nonprofits about potential donors of all kinds: they just want us to jump through hoops. In fact, grant donors, in particular, are usually staffed with and led by people are are very knowledgeable about, professionally skilled in, and perhaps lettered researchers in the very field of work that your nonprofit works in. They, themselves, have often worked at nonprofits (perhaps ones serving the same cause as yours') and are usually very up to date on professional and ethical philanthropy. They are weighing which nonprofit should receive the next grants that they are about to donate. Most grant donors are not, in fact, being flip about just randomly asking for nonprofits to provide this, that , or the other. They are using some key information, for each proposed program or project, that they hear about in each round of grant applications to decide which (of likely tens if not hundreds) of grant applications they will award a grant to. Grant donors are not giving to get a tax break, and leave it at that. They are very active, engaged community members who are looking where they can best place their cash donation (or other contributions) that will help the nonprofit do the best, most effective, and perhaps the most good for the community. Grant donors are looking for honest, well run, efficient, knowledgeable, expert, talented, successful nonprofits that they are more likely to get excellence for the community out of the fiscal (or other) investment that they place in the awarded nonprofit.

Fellowships for Social Entrepreneurs To Turn Innovations Into Sustainable Social Change

From The Foundation Center...

Deadline: December 2, 2009

Echoing Green Opens Application Period for Social Entrepreneur Fellowships

Each year, Echoing Green awards twelve to fifteen two-year fellowships to social entrepreneurs. Fellows receive seed funding and technical support to turn their innovative ideas into sustainable social change organizations.

Echoing Green seeks individuals or partnerships (organizations led by two people) with innovative solutions to significant social problems; strategies to create high-impact, sustainable change in people's lives; and the ability to grow and lead a new organization.

The application process is open to citizens of all nationalities working in any country. Applicants must be 18 years of age or older, and must have sufficient English fluency to participate in interviews and Echoing Green events.

Organizations must be the original idea of the applicant, and must be independent and autonomous. (Organizations cannot be considered independent or autonomous if they are started under the direction of an existing organization.) Organizations must be in a start-up phase. To be considered a start-up, the applicant may have been running the organization full-time for approximately two years, and Echoing Green's financial support should qualify it as a major/primary early funder. Applicants who have only worked on their organization on a part-time basis or have yet to start an organization are generally considered eligible. Applicants must make a full-time commitment to the organization's development.

Fellows receive up to $90,000 ($60,000 for individuals and $90,000 for partnerships of two people) in seed funding over two years.

Visit the Echoing Green Web site for complete eligibility information, application materials, and profiles of fellows and their projects.

Contact:
Link to Complete RFP

Thứ Hai, 26 tháng 10, 2009

For Current Insights Into What Is Motivating Major Donors To Give Large Donations, Now, See This Free Webinar Transcript

This past Thursday I sat in on The Chronicle of Philanthropy's free webinar, "What Makes A Donor Give A Fortune" (which, handily, only required that participants could log onto their website to participate). The speakers were two active philanthropists who have planned out their wealth and future wealth so that they could give before they passed and have been for years. They answered the participating audience's questions and the two moderators' questions. The benefit of listening to a panel of wealthy donors is to understand what motivates them to give, what they are looking for in the nonprofits that they donate to, and any other questions that are asked.

You, too, can read the transcript for free, now, at http://philanthropy.com/live/2009/10/fortune_to_charity/ if you toggle down the page and in the "Conversation With A Major Donor..." text box at the bottom of the page, click on the right pointing sideways arrow ('play' arrow) in the box. This will prompt the text to appear and you can read from top to bottom.

This particular webinar was well attended and between the participants' and moderators' questions the topics covered ranged from how a start up nonprofit can get funded to what the passion is that causes people to organize their wealth and begin to give (either as individuals or even as a family foundation). Also, there are a wealth of great suggested web resources and their links included, too.

The Chronicle of Philanthropy
does a beautiful job of listing all of their previous webinars that anyone can access afterward, for free. To read down the list of conversations that they have held before, and to also see what discussions are coming next (which you could certainly participate in for free, if you wish), go to http://philanthropy.com/live/

The Chronicle of Philanthropy's next free webinars are listed to happen on October 27, October 29, November 3, and November 12. As more follow these dates, they will be listed, too, at the "live" URL above. Not only are these a great opportunity to get current happenings, thoughts, and best practices; they are a terrific free tool to learn; and they allow any participant to ask questions. I can't recommend them enough.

Grants for American Museums

From The Foundation Center...

Deadline: April 1, annually (Letters of Inquiry)

Luce Fund in American Art Offers Support for Scholarly Exhibitions and Publications

A program of the New York City-based Henry Luce Foundation, the Luce Fund in American Art seeks to support scholarly exhibitions and their related publications that contribute significantly to the study of American art.

Each proposed project must result in a tangible product that can be added to the body of scholarship in the field of American art. Applicants must be the originator of the exhibition project, not a subsequent venue. All periods and genres of American art history are included. Intellectual merit and potential contribution to scholarship are the most important criteria for evaluating proposals. Demonstrable impact of the artist or subject must be substantiated. The program is aesthetically and object-based and does not include projects that are primarily historical, documentary, sociological, or that concern private collections. Museum permanent collection projects are not included in this category.

Any American museum evincing a commitment to American art is eligible to apply for a grant. Museums outside of the United States may submit appropriate projects for consideration only if they have proof of valid nonprofit status provided by the U.S. Internal Revenue Service. Proposals are not accepted from individuals.

A prior Letter of Inquiry is required to ascertain the foundation's interest. Inquiry letters may be submitted at any time, but must be received no later than April 1 for possible acceptance to the annual summer review of approximately 20 proposals. The annual deadline for receipt of proposals is June 15. It is recommended to inquire at least 18 months in advance of an exhibition's opening date.

See the Luce Foundation Web site for complete guidelines and examples of museums and projects that have been supported through the fund in the past.

Contact:
Link to Complete RFP